Judo Strategy Against Defensive BJJ Novice

In competition, I’ll occasionally go against guys that don’t want to play off their back, but don’t really have a takedown game either. This is common for BJJ players (usually strong) that don’t practice stand up at their academy. Combine that with nerves, and the result is them essentially keeping me away with stiff arms, bad posture, and constantly thinking about countering whatever I attempt. It’s hard (or rather it’s risky) to take a guy like that down with a big throw, so I’ll often end up walking around (relaxed) for a minute or two until they begin to tire or relax or decide to attempt takedowns of their own (thereby leaving openings for my attacks).

However, what tends to work well against players like this are footsweeps as Jimmy Pedro demonstrates in the follow video:

It’s a bit annoying, but a footsweep in BJJ is my most common “throw” because (at least at the blue belt level) people are way too defensive. Sometimes I’ll force a big throw (seoi nage or uchi mata) on a stiff defensive player, but that’s taking a risk. Of course, I’m always up for a little wrestling. I’ll attempt a double, single, fireman’s, etc and if I fail, I’m right in position for a strong guard.

Rhadi Ferguson on Throwing and Gripping

Dr. Rhadi Ferguson is one of the best known representatives of judo in America. A highlight of his throws is below.

I just did an exercise of listing the first 10 American judoka that pop into my mind (outside my circle of judo friends / coaches). Here’s what I got:

  • rhadi-ferguson-pick-up-judoTravis Stevens
  • Jimmy Pedro
  • Rhadi Ferguson
  • Jason Morris
  • Rhonda Rousey
  • Ann Maria DeMars
  • Nick Delpopolo
  • Taraje Williams
  • Rick Hawn
  • Mike Swain

And I’m sure he would appear up at the top of that list for most people in U.S. and perhaps even world-wide who are interested in competitive judo.

Part of the reason for this is his extensive presence on the web with articles, videos, and general educational material. That’s just what I’m writing about today. In a cool opportunity, he offered to answer a few questions from “fans” on his facebook fan page. I asked the following questions:

Suppose your favorite throw is seoi nage, and your second favorite throw is uchi mata. In a perfect world, where the #1 priority of your life is judo, what is the approximate number of fit-ins and throws of these two would you look to do per week. I realize there is no magic number, but I believe in the importance of drilling, and am curious what amount of drilling you would suggest. Again, the assumption behind this question is that you’re free to train all day ;-)

He answered in this facebook video which you may need to like his fan page to have access to. Here are a few key points he made:

  • It is in fact possible that judo being the #1 priority is perhaps not the definition of a perfect world ;-)
  • Assuming you’re already proficient at your favorite throws, you don’t need to do too many throws a day. He suggests about 50.
  • You will not execute any kind of throw without first achieving a sufficiently dominant grip which sets up the off-balance and entry into the throw. Therefore, working on the gripping aspect of the game is the wisest area of time investment for improving chances of success in competition. (He is currently selling a video educational series with him and Jimmy Pedro on the subject of gripping.)
  • Work on the transition when you miss the throw. “Miss” here means a non-ippon throw but nevertheless a throw that takes the game into newaza. The goal is to be a step ahead of the opponent in the transition.

I’ll finish up with a quote from Dr. Rhadi that sums it up:

“The key, Lex, honestly is to study gripping like it’s going out of style.”

This is a basic truth that most competitors know, but do little about. My new resolve is to force gripping into my regular training regimen. And I’m not just talking about random ad-hoc gripping but the strategic sequences of grips that Taraje Williams showed when I went to his clinic, and the kind that Rhadi Ferguson shows in his DVD.

Lazy Judo

I woke up bright and early at 10am today (Sunday). For some people that might not be so early, but for people like me with a productivity peak that hits around 3am and a life-threatening addiction to coffee, 10am is pretty damn early.

I finally got around to having my “birthday party” with my parents. A month late, but who’s counting. I got a new camera! Mostly for still shots, but I’ll be definitely using for HD video also together with my other one. Here’s the first video:

These are a couple of throws that ignore most of the basics: not bending knees, not turning enough, not pulling enough, etc. Hence the title of this post: “Lazy Judo”. I was being relaxed, overly relaxed.

That’s a perfect time to focus on technique. Instead I ended up lazily half-assing each throw. This is why I like video’ing practice, because my judo looks a lot worse on camera than I imagine in my head ;-)

Special thanks to Osagame Martial Arts for the great training and instruction as always.

In other news, congrats to Jared for winning his Long Island Pride superfight. A score of 3-0 is always music to my ears. That’s a score I would love to have for the rest of my BJJ career. To me it says: a long battle that ends in a guard being passed.

The Dangers of Seoi Nage in BJJ Competition

nomura-seoi-nage-bjj-competitionI’m both a judo and bjj competitor, so naturally the subject of utilizing the techniques of one sport as part of the other has been of great interest to me.

First, I should say that in my mind neither sport can (or should) really lay claim to any of the techniques I’m talking about in this post (despite hundreds of forum posts to the contrary). Judo and jiu jitsu are very similar martial arts, but their respective sports have evolved in such a way that the rules of the sport make the two martial arts appear quite different. Judo emphasizes big throws, while BJJ emphasizes “dominant” position.

My favorite judo technique is standing ippon seoi nage. Here’s a video of Travis Stevens, a top level U.S. judo player whose gripping and technique I draw a lot of inspiration from in my own judo:

httpv://www.youtube.com/watch?v=z1syAolnJHQ

Not all seoi nage variations are created equal. Here are some characteristics which define distinct versions of seoi nage which are important in the context of BJJ. I’ll explain why below:

  • Lower body
    • Standing
    • Drop on one knee
    • Drop on both knees
    • Koga’s (and my favorite): step back through the opponent’s legs
  • Grips
    • Ippon
      • Lapel
      • Armpit
      • Sleeve
    • Morote
      • Sleeve + Lapel
      • One handed (Koga liked this version also)

I do many of these variations, both on the right and left side, which is very important given the unpredictable nature of the gripping game.

What’s important in the context of BJJ is that these throws will end up in different positions, both if they succeed or fail. The danger, in general, is that I turn my back to my opponent, allowing him to potentially take my back and score 4 points, both if the throw succeeds and fails. This doesn’t matter for judo, but it does matter for BJJ. A two-handed morote seoi nage version, for example, keeps space between you and the opponent, and thus the resulting throw is much less likely to wrap your opponent tightly onto your back. The drop version of morote seoi nage, in fact, is the most common seoi nage variation thrown at high level gi jiu jitsu competition (from my observation).

The most common unpleasant circumstance for me is that I do successfully throw my opponent but he chases my back and ends up on top of me in the turtle position. No hooks, so no points scored, but still, I just did a huge throw and the result is that I’m the one on the run. It shouldn’t be that way.

This post is already way too long, so I’ll leave all the things I want to say for later.

Bottom line is that, as Ray suggested after our judo training session at Osagame today, I’ll make a good bjj throw the project for the summer. My goal is to work on variations of seoi nage that land me in side control and also to work on other forward throws that may work well in BJJ competition. More on that later…

Travis Stevens Seoi Nage

As I said in a previous post on this forum, Travis Stevens is one of my favorite judoka to watch. He goes for big throws and has a complete game (including submissions and pins). Too bad in that post I put a video of one of his throws being countered with a powerful ura nage. So I decided to make up for that and make a video highlighting his Koga-esque seoi nage:

He plays righty stance with the left lapel grip and right wrist control. Basically, everyone know what’s coming. It’s either ippon seoi nage, koshi guruma, or a belt grip. But it still works. From the belt grip, he goes for a hip throw or sumi gaeshi. This is very similar to what I do, except of course he throws top level players in the world for ippon with it.

Huge Counter at Tokyo Grand Slam

Travis Stevens is one of my favorite judoka since he consistently throws people in international competition with standing Koga-style seoi nage. He is ranked 16th in the world at -81kg as of May 2010, and has had some good success since then.

At the Tokyo Grand Slam yesterday he got caught by Avtand Tchrikishvili (GEO) after a couple good koshi guruma attempts. Tchrikishvili anticipated the attack, stepped in and miraculously was able to counter the incredible forward force of the koshi guruma to lift Stevens all the way over onto his back:

A few things I noticed:

  • Travis likes to switch to an uchimata when the koshi guruma fails by lifting his leg.
  • His favorite grip is the same as mine: right lapel, left wrist, righty stance. He uses this grip for both seoi nage and koshi guruma. However, he looks for the wrist control first, which never occurred to me.
  • It looks like there was a lot of pressure on his back/core when he was countered. I wonder if he gets hurt often from people trying to counter that way. I know I sometimes tweak my back a little from exactly that situation.

Classic Ippon Seoi Nage

Let’s be honest here, this “blog” is not about “training and competition” any more than Playboy is about the articles. It’s really just a place where I ramble on about seoi nage on every other post. It’s the throw which I’ve chosen to center my judo around, and it’s the throw that I have come back to for comfort when the world feels like a sad and lonely place. I put Koga’s “A New Wind” video on repeat, open a cold beer, and let my troubles slip away. Okay, not really, but close…

This post is just a quick comment about a revelation I got from a guy that came in to judo yesterday. Name was Bennett, green belt, and hasn’t done judo in a while. We were working on seoi nage the whole class. Bennett started doing fits. He pulled my sleeve like his life depended on it and stepped far in front of me on the turn. At first, I thought this guy was just another clumsy novice whose technique has gone rusty and so he tries to make up for it with drastically over-exaggerating the kuzushi and tsukuri of a classic seoi nage. That’s what he was doing, and he was a bit rusty, but when he started throwing, the technique felt flawless. I felt light as air. It seemed effortless, and these were the least painful seoi nage throws I’ve ever taken.

Kuzushi Judo Off Balance

His pull was strong, and I was letting it happen as a good uke, but as I walked home I realized what everyone has been telling me: that this kind of pull is the key to throwing good people successfully. Movement, timing, speed, power, combinations all create the opportunity for an effective pull, but without training my body to pull every time with exceptional power, I will never be able to throw any good opponent in competition.

Thank you Bennett for demonstrating the fact that is so often told to me, but I always seem to neglect.

Seoi Nage: Post-Criticism

I’ve recently written a couple posts about seoi nage here and here and also posted a few videos of it up for critique by the kind folks at the Judo Forum here. Because of all the criticism, I found myself questioning every aspect of my technique, which is a great thing for the learning process. I took a couple videos on Monday of a (1) speed throwing drill and (2) regular throwing session.

Putting My Technique up for Criticism

On an impulse, I put up a video of one of my throwing sessions to a judo forum: JudoForum.com post

The result is a lot of positive and critical comments on the details of the technique. I would summarize the more critical points as:

  • More kuzushi (more pull)
  • Get lower (bend more at the knees)
  • More consistence in throw dynamic
  • More control of uke landing
  • Don’t use crash pad
  • Do standard version of seoi nage before drilling Koga’s version

Each of these points could be argued, but it’s undeniable that they each contain a grain of truth. I’d say that the experience of posting myself performing a technique online for criticism is a positive one. I have a lot to think about and to work on. As long as I don’t take some of the more negative comments to heart, I think I can grow from this experience.

Ben Reinhardt provided links to a few excellent videos on standing seoi nage. One that was particularly interesting to me (and one I haven’t seen before) is of Hidetoshi Nakanishi (1983 world champ) throwing seoi nage for 10 minutes. I downloaded this video and watched it in slow motion. Just doing that over and over is a great visualization tool.

Also, Ben provided links to these three excellent videos:

Seoi Nage on Crash Pad

Got sixty throws in on the crash pad with Sarah this Wednesday and video’d. Below are two videos. The first is a video of the full session, and the second is a slow motion version of some of the throws.

The crash pad is about 5′ by 4′ which is actually half of the original crash pad. John cut the original one into two since it was too big. The new size is a little tight, but surprisingly sufficient, as long as you are precise with the throws.